Our National Bank Heist Production Team

Aulenna Robinson is a Bahamian actress, producer, and writer. Aulenna’s journey into the world of acting began with her first commercial during a visit to St. Lucia, promoting her uncle’s electronics store, Kelly’s. This early exposure sparked a lifelong love for performance. 

After completing her university studies in the United States, she immersed herself in the Grand Bahama Players and the Freeport Players’ Guild, honing her craft through live performances. Her dedication to acting eventually took her to Vancouver Film School in British Columbia, Canada, where she refined her skills and deepened her artistic expertise.

Upon returning to the Bahamas, Aulenna made a striking debut in the Nassau theatre scene with the Shakespeare in Paradise production of 'Woman Take Two'. She continued to build her reputation with performances in renowned stage productions such as 'Julius Caesar' and 'Clybourne Park', solidifying her presence in the theatre world. 

In addition to her stage work, Aulenna expanded into film, securing roles in national productions such as, 'Passage' by Kareem Mortimer and the television series 'Gippie's Kingdom'. She earned her first U.S. acting credit for her role in the movie "Dolphin Summer", marking a significant milestone in her growing career.

With a relentless passion for storytelling and performance, Aulenna now showcases her first creation to grace the stage in Grand Bahama 'Our national Bank Heist' which is an entertaining comedy about a bank robbery during the Covid-19 Pandemic. 

Matthew Wildgoose is a multifaceted Bahamian portrait artist and actor whose work bridges the worlds of visual and performing arts. Born and raised in Freeport, Grand Bahama, he discovered his passion for art at the age of thirteen and later earned a Fine Arts degree from the College of The Bahamas in 2008. In 2013, he transitioned to full-time creativity and has since become a notable figure in both the art and theatre communities.

As a visual artist, Matthew is known for his bold, expressive portraits and cultural storytelling. His debut solo exhibition, 'Catch Ya Sef' (2013), paid tribute to Bahamian entertainment legends and marked the beginning of a vibrant career. He later founded the "It Is What It Is" (IIWII) art gallery in Port Lucaya, which quickly became a creative hub for local artists, poets, and musicians. His acclaimed Dream Face exhibition has toured internationally, with his work featured in respected collections including the Dawn Davies Art Collection and D’Aguilar Art Foundation.

In addition to his success in visual arts, Matthew has built a robust acting resume, appearing in over 30 stage productions such as Shakespeare in Paradise, 'Da Market Fire', 'The Webshop Horror', 'I Object', and 'Crazy Love'. He also portrayed Kirby in the Bahamian TV drama 'Gippie’s Kingdom'. Expanding his artistic reach, Matthew makes his directorial debut with the original stage comedy 'Our National Bank Heist', marking a new chapter in his commitment to storytelling and cultural expression.

A true creative force, Matthew continues to inspire through his work both on stage and on canvas and has become a mentor for  emerging talent throughout the Bahamas.

Corey T. Damianos Sr., through his creation of Eagleye Productions, has emerged as a dynamic force in the Bahamian theatre scene. He is the creator and producer of the acclaimed stage play, 'A Man’s Point of View', and is now bringing his expertise to the eagerly anticipated comedy, 'Our National Bank Heist'. Known for his vibrant storytelling and dedication to showcasing Bahamian voices, Damianos has consistently elevated local stagecraft with compelling, culturally resonant productions.

With a commitment to community-driven artistry, Damianos leverages his role to highlight local talent and amplify stories that strike a chord with audiences while  challenging traditional perceptions of masculinity and advocating for mental health awareness, equality, and human rights. 

Damianos remains committed to using the arts as a platform for change, inspiring audiences to embrace compassion, vulnerability, and a deeper understanding of the human experience to audiences across Grand Bahama and beyond. His productions not only entertain but also enrich the Orange Economy - strengthening the cultural fabric and reinforcing the importance of homegrown theatrical expression.